Ernest Cline’s Ready Player One was first published by Broadway Books in 2011. I’ve had it on my “to be read” pile for about six years and finally decided to read it as part of my 2018 TBR Pile Challenge because the movie adaptation is releasing this March. The story is set in the United States, in the year 2044. The world is a bleak and dismal place. War, disease, and famine has become a world-wide problem. Economic, social, and government institutions have all but collapsed, and income inequality is at its greatest levels of all-time. Despite these problems, technological advancements have continued and the new ideal world is one called the “OASIS,” a virtual space unlike any we could currently imagine, where people can be whomever they choose. People can meet and get married in the OASIS, children go to school and earn their diplomas through the OASIS. It is a beautiful and powerful opportunity and, as it turns out, also deadly dangerous. When the creator of the OASIS dies, leaving behind an immeasurable fortune plus control of his company, an international, play-to-the-death quest begins. The first person who can solve each riddle and beat each boss, wins it all. Billions of dollars. Total control of the OASIS. But despite years and years of effort by individuals, groups, and corporations, the scoreboard remains empty. Empty, that is, until one lonely, poor, awkward geek named Wade Watts, AKA Parzival, figures out the first test and beats it. Then all hell breaks loose.
Ernest Cline’s style is effective in creating this science-fictionalized, virtual reality cross-over world, where people exist in two places simultaneously, sometimes as themselves but often not. He creates great tension in the idea of this universal split-personality, where everyone is someone else and where people are often only truly honest in the virtual world. The tone, too, is appropriate given the content and topic. Cline writes with a kind of frenetic irreverence that suits the abundance of geeky reference, nerd history, and 1980s pop culture that permeates the narrative. It is crystal clear who this story is about and what kind of audience will be attracted to it, though I don’t think the book will be appreciated only by self-professed geeks like me. This is because the prose itself is engaging, the pace is fast but not overwhelming, and the two worlds being created are delicately balanced and well-treated so that both seem believable, each with its own graces and terrors.
THERE ARE SPOILERS IN THIS SECTION. One of the most common and powerful critiques I’ve read from other reviewers about this book is its lack of characterization or problematic issue with stereotyping, and I get it; there might be some problems here. First, though, I want to start with what I think was a great strength for this novel’s characterization: the antagonists. The bad guys. They are so realistically normal, and so realistically evil, in that deeply human way, that I found them horrifying and compelling at the same time. What is the nature of their evil? Greed and a consuming desire for power. That said, some reviewers have pointed out weaknesses in character development, as when Wade Watts, having fallen in love with a girl, realizes that he is overweight and thus commences to get in shape (the process of which is described in just a few sentences so, sure, that’s a bit unrealistic). The rather fanciful and laughably easy weight-loss/fitness process aside, I’m not sure what the primary resistance is to that character’s impulse. How many of us, especially when we were young, tried to modify our appearance to impress a person we were interested in romantically? I appreciate that the “message” isn’t great, but is it unrealistic?
In addition, some have argued that Ready Player One is just another cis-white-het-male fantasy because the protagonist is a white heterosexual male. Do we need more diversity in fictional protagonists? Yes, particularly in the still male-dominated genres of science-fiction and fantasy. That said, I can’t fault a good novel and its interesting-if-flawed hero because of the fact that he is a straight white male. I also appreciated the diversity of his friendships (though, as I will discuss in a moment, reviewers have found plenty to fault there, too).
SPOILER AHEAD. I’ve also read critiques about the way Cline draws some of the diverse characters: Art3mis, Aech, Daito, and Shoto (OASIS character names for real people). Wade’s best friend in the OASIS is Aech, whose character is a heterosexual male but who, it turns out, is a black lesbian woman in real life. When the two finally meet, Wade is taken aback for a moment, and then they have a good laugh and carry on like the best friends they are. Some have taken issue with the fact that Wade was shocked by Aech’s real gender/race/sexuality, and others have said the character was drawn that way to tic all the “diversity” boxes. I simply didn’t read it that way. To me, seeing a straight white teenage male discover his best friend is a black lesbian woman, and then shrug it off as entirely unimportant, was a welcome and powerful statement, especially in the science-fiction genre which remains heavily heteronormative.
SPOILER AHEAD: There have been complaints, too, about Daito and Shoto being stereotyped by their race. There are a few pages where the two, plus Wade, repeatedly mention the word “honor” as in, was someone’s actions honorable or not. At first glance, I could see how this might come across as racist: you’re drawing Japanese characters and scripting them with cheesy samurai film clichés? But, wait. Daito and Shoto identify as samurai. They talk about honor because they care about honor. I’m not convinced that this is the author being lazy or making a racist mistake in narration or dialogue; to me, it is an expression of what is important to the two characters themselves, and it aligns with their backgrounds and their other actions throughout the novel. (But do Parzival and Art3mis both need to repeat it in the span of a few pages? No, probably not – I hear you, there.)
SPOILER AHEAD: Lastly, I’ve read criticisms about the love-interest, Art3mis, and the development of Wade’s and Art3mis’s relationship. Some have said she “succumbs” too quickly in the end, after rejecting his advances for so long. I’m again on the opposite side of this debate, I guess. The two were the top competitors in a prize that would change not just their own lives, but the entire world. Art3mis took the smart route, which was to focus on the tasks at hand. Wade couldn’t get past his feelings for her. What’s wrong with either of these responses? And who is to say that, once the competition ends, particularly given all that the two go through and all that Wade does for Art3mis, Aech, and the others in the real world, where all of their lives are at risk, the two wouldn’t come together after all?
Ultimately, I do agree that characterization is the weaker element for this novel. I think there’s enough to make us care about Wade’s success and about the fate of his friends, but there are also things that happen too quickly or perhaps go without enough explanation. Wade, too, makes some decisions which leave us wondering whether or not we should be thinking of him as a hero, but as Aristotle suggests, an effective hero is mostly admirable and to be rooted for, but he is not necessarily perfect.
The Huffington Post calls Ready Player One, “The Grown-Up’s Harry Potter.” This isn’t quite right. Although there are some comparisons between the Muggle/Wizarding world and the Real/OASIS worlds, and between the orphaned lives of Harry Potter and Wade Watts, Ready Player One is much more of a realistic science-fiction novel than it is a fantasy. As a child of the 1980s, and a self-confirmed geek, I saw much more of Stranger Things in this novel. It’s a dystopian thriller for contemporary society. And I loved it. Final Verdict: 3.75 out of 4.0
Ready Player One is Book 3 completed for my 2018 TBR Pile Challenge.
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