Book Review, Compilation Fiction, Contemporary, Contemporary American, Giveaway, Giveaway Hop, Giveaways, Hanya Yanagihara, LGBT, Literature, Loss, Monthly Review

Thoughts: A Little Life by Hanya Yanagihara

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A Little Life by Hanya Yanagihara

This is the first formal review I’ve written for Roof Beam Reader in five months, when I reviewed Emily St. John Mandel’s Station Eleven in February. As with that book, I find, this time, that I’m unable to move onto other reading until my thoughts and reactions about this one are evacuated. It’s just one of those books. This post is bound to be lengthy, so I apologize in advance for that. But, as I set out to write my thoughts on this peculiar and devastating book, I find that I must clarify my position on two points that have significantly influenced my reaction to the novel.

Two Major Issues:

First: the book has been heralded as the long-awaited “great gay novel.” This description is not only maddeningly inaccurate, it is dangerously wrong. Despite appearances, this is not a novel about gay life, about homosexuality or coming out; it is not about sexuality or sexual identity at all. This is a book about friendship and love battling to save the life of someone who is haunted by memories of pedophilia and rape, sexual and physical abuse, psychosis, emotional trauma and sadism, and who cannot escape except through self-criticism and self-harm.

While any of these terrible things could be relevant to gay life, they are also relevant to straight life. The problem is: calling this book the “great gay novel” and then expecting readers to equate homosexuality, gay identity, with child sexual abuse and pedophilia as some kind of post hoc ergo propter hoc relationship is what gay rights activists have been fighting against for so very long. Jude St. Francis does not end up in a gay relationship because he was abused, as a child and an adult, by men. Jude St. Francis is not even gay: he is sexless; no, he is de-sexed.

The comparison that these reviewers make are perhaps unconscious, but they are all the more dangerous for that (worse: a part of me wonders if this push is due to cultural realities: it’s “time” for the great gay novel, so this must be it). I prefer the description given on the book’s own inside-flap: “An epic about love and friendship in the twenty-first century that goes into some of the darkest places fiction has ever traveled and yet somehow improbably breaks through into the light.” Yes, that’s it, for the most part. Let’s hope later editions remain true to this description and not the disturbingly misleading ones that outside forces have attempted to place on it.

That being said, in an academic sense, calling this book a “great queer novel” makes a lot of sense. The difficulty is helping people understand the difference between a “gay” novel and a “queer” one. The book is wildly anti-heteronormative. There are some straight people in the book, major and minor, but the majority of the main characters are somehow “othered,” as are their histories and relationships. For example, one character is adopted as an adult, another is parentless; one character is bisexual, another is gay but struggles with it; one character is disabled, another seems able to change his body almost at will.

Gender and sexuality in this book are uncomplicatedly fluid: transgender issues come up, for instance, as does lesbianism and the cis-gendered. In this way, yes, call it a great queer novel. Call it a study of male friendship that refuses to be categorized. But do not call it the great gay novel, as the relationship at the heart of the story has nothing to do with sexuality: the main character is basically asexual and his eventual lover is basically heterosexual even though he ends up with another biological male. Most importantly, their love, their partnership, has far less to do with sexual identity than it does with non-sexual romantic friendship.

This is all my reaction to others’ descriptions of the book, however. There’s nothing the author or publisher have said (that I know of) which reflects such a flawed perspective on the story, and the story itself doesn’t presume to present itself that way, either.

Second: My personal experience reading this book might be far different from most, and that is because I intimately understand and relate to it. Because of the nature of this book, of Jude St. Francis’s life, and Willem’s, I can’t say any more than this. Suffice it to say, it is a deep struggle for me to separate myself from this story in order to review it objectively as a work of art. But I’m going to do my best.

Thoughts on the Book:

Essentially, this is a book about friendship. The characters are the heart and soul of this novel, especially the main character, Jude, who, despite his tragic past, is the core of the four friends’ lives. They (Jude, Willem, JB, and Malcolm) met as college freshman, although Jude was only 16 at the time. Each of the characters is special in some way: Willem the actor; JB the artist; Malcolm the architect; Jude the lawyer. They all struggle, at first, but each will eventually reach wild levels of success. One can imagine that they were able to achieve their successes only because of their friendship, although this is never specifically granted by the novel itself.

Outside their friendship are other characters, major and minor, some of whom arrive and remain (Jude’s adoptive parents, for instance, and his doctor) and others that serve a purpose and then disappear. There are not many women in the story, which has been a point of contention for some, but Yanagihara has already explained her reasoning for this (it’s a story about male friendship and the many varied ways that friendship can manifest itself) and I take no issue with the lack.

An interesting and admirable element, in my opinion, is the narrative voice which is at times third-person with varied relativity to one or another of the characters depending on whose story is being told at the time, and sometimes, much less frequently, in the first-person, as when a character is relaying things directly (usually in a kind of monologue, which I imagined as dictation or epistolary in nature, but could just as well be a character speaking aloud to himself). This narrative approach allows for two things: first, the mysterious, slow, painful revelation of Jude’s backstory; we the reader know as much about Jude as the other characters do, and only bits and pieces (first, hints; then, allusions; next, minor descriptions; finally, all of it) come through, in guesses made by other characters or in sections when the narrator is closely aligned with Jude himself. This can be vexingly frustrating, but it is also brilliant in its devotion to an honest portrayal of the main character. Second, it allows the reader to get closer to Jude in the same way that the characters do, to understand how this dynamic works, fails, strains, etc.

Less interesting, less creative, is the prose style. It’s surprisingly matter of fact. I haven’t read Yanagihara before, so I’m not sure what her writing style is in general, but I will say that I think it works well, here. Even though the prose and language aren’t particularly appealing, the pages still turn. There’s a balance, here, equal to the balance between the plot and narration. The raw, almost clinical style of writing is like the raw, almost clinical way that Jude lives his life. In moments of tension, the prose style will change subtly. In moments of affection, breakthrough, break down: the same. The reader gets to know Jude, as much as is possible, and begins to realize that Jude must make great effort, 24 hours a day, 7 days a week, to be the person he is: he is always, always inside his own head. Every thought has some level of darkness and pain attached to it; every action is planned, agonized over, debated.

This has been one of the most intellectually and emotionally challenging reads for me. The complexity of the novel’s themes is matched by the intricacy of the narrative, the cerebral construction of story edifice and story time that allows the present and the past to unravel, slowly but significantly, so that, at a certain point about 400-pages into the book, I suddenly felt like I was just a part of this group. For me, it was like the flip of a switch.

At the half-way mark, I hated this book. I wanted to give it up.  It is painful, horrifying, depressing, and almost gratuitous. It is without hope, without joy. It is, as many have said, a type of exaggerated fantastic allegory, where the evils laid upon man are as persistent, unrelenting, scarring as can possibly be, and the goodness of friendship and true love are as pure, unwavering, angelic as can possibly be. It is a fairy tale where the only happy ending for Prince Charming is the ending every fairy tale necessarily leaves out.

There’s very little that is pleasant about this book: it is not a beautiful story and it will not be a beautiful read. I can’t recommend this book. But I can’t deny its power, either.

Suggested Reading for:

  • Age Level: Adult
  • Interest: Friendship, Sturm und Drang, Child Abuse, Self-Harm, LGBTQI+, Disabilities, Nontraditional Families.

Notable Quotes/Passages:

  • “The only trick of friendship, I think, is to find people who are better than you are—not smarter, not cooler, but kinder, and more generous, and more forgiving—and then to appreciate them for what they can teach you, and to try to listen to them when they tell you something about yourself, no matter how bad—or good—it might be, and to trust them, which is the hardest thing of all. But the best, as well.” (210)
  • “It is always easier to believe what you already think than to try to change your mind.” (369)
  • “He had forgotten that to solve someone is to want to repair them: to diagnose a problem and then not try to fix that problem seemed not only neglectful but immoral.” (517)
  • “You don’t visit the lost, you visit the people who search for the lost.” (656)
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Blog Post, Book Review, Books, Giveaway, Giveaway Hop, Giveaways, Monthly Review

Tiny Thoughts on a Bunch of Books

20170404The last book review I posted was for Emily St. John Mandel’s Station Eleven, way back in February. Since then, I’ve read “a few” books, but haven’t had time to get my thoughts down about any of them.

This post is going to serve as a very brief, rather frantic “catch-up.”  I want to at least write down reactions to the other books I’ve read so far.  No, these aren’t formal reviews – but something is better than nothing!

So, in order of completion from most distant to most recent:

Half Bad by Sally Green: This is the first book in a planned YA fantasy trilogy by new author Sally Green. I think the premise is interesting and the execution rather good. There is quite a bit in this book which is derivative, owing a lot to other popular YA fantasy series’ on the market; however, that being said, I really enjoyed the story and a lot of what is unique about it. Green builds quite a bit of believable tension into the story, issues between the main character/protagonist and his best friend, his girlfriend, his father, his family etc. I think this is a series worth reading and fans of YA fantasy are likely to enjoy it.

downloadWarlock by Jim Starlin: Adam Warlock is one of my favorite comic book characters and I’m glad to have finally read the complete story in graphic novel form. Some of the more interesting stories (like the Infinity plots) are not present because they are exterior to the original Warlock storyline, but this graphic collection was still fun, dark, and interesting.

Half Wild by Sally Green: This is the second book in Green’s fantasy trilogy and an interesting and improved follow-up to the first in the series. Main characters from the first book reappear and some new ones are introduced. A lot of the tension between the main character and minor ones continues to deepen, and Green takes some very welcome and exciting risks. I’m looking forward to the next book in the series (which, from what I’ve read, will be the conclusion to the trilogy – but you never know with fantasy series’!)

The Alex Crow by Andrew Smith: I’m a huge fan of Andrew Smith, and The Alex Crow did not disappoint. This is Smith’s most complex and adult novel to date. It’s not hard to understand the comparisons to Kurt Vonnegut. There have been some criticisms about unnecessary storylines or sub-plots, but I think those critiques are missing the point. The story’s sub-plots work together toward a final conclusion, without one or the other of these storylines, the overall message would not be as profound as it is. Unfortunately, that message seems to be lost on some readers. Still, this book, after Grasshopper Jungle, is resulting in a great deal of critical attention and acclaim for Smith, praise which I think is completely valid.

download (2)Batman: The Killing Joke by Alan Moore: I read this because of Twitter hoopla surrounding gender representations in comic books and the new covers for some classic comics. I’ve never been a big fan of Batman comics (I’ve enjoyed the movies more – and I’m really a Marvel fan, so I haven’t given as much attention to DC stories) but this was a really interesting take on the Joker’s possible backstory. I know there’s a debate as to whether or not the backstory is necessary or helpful – some fans like that the Joker is just innately evil, while others appreciated the fact that perhaps some event triggered that descent into madness. I can understand both points of view – for what it is, I enjoyed this story.

Ms. Marvel, Vol. 1 by Willow G. Wilson: I think this is an incredibly powerful and long-overdue take on female power in comics. The new Ms. Marvel is young and fierce, filled with good intentions but also prone to mistakes. Volume 1 introduces us to her character, her friends, and her family, all of which adds great complexity and detail to her personality and the possibilities/pitfalls that might be ahead of her. Super cool.

download (1)A Game of Thrones by George R.R. Martin: I’m so glad I finally read this book, and I’m eager to get on with the series. While I don’t think that Martin is quite the writer or world-builder as, say, Tolkien, his take on fantasy is still refreshing and unique. As Martin has explained, his goal was to place fantasy elements in a realistic medieval environment, and in that I think he is succeeding. The story is dark, dangerous, and rarely redeeming or uplifting, but the times (from a historical perspective) were equally difficult. As a fan of the television show (until this season, where I’m finding much to complain about) I think it’s incredible how closely the show was adapted from the book – but those who have only watched the show are missing some important things, even simple things like the characters’ ages make a big difference in understanding and appreciating what’s happening.

Saga, Vol. 1 by Brian K. Vaughan: I finally took the plunge and started this series. Everybody talks about it, and now I know why. I don’t think I’ve enjoyed a comic so much since Blankets (which, admittedly, is completely different and not actually a comic – it’s a long graphic novel). Anyway, Saga is narrated from the future by the protagonist who is, in the first comics, just a newborn baby. We learn about her parents and their worlds & the war they’re engaged in. The comic is rated “M” for good reason – I wasn’t expecting some of the graphic sexual situations and violence, but the great thing is that it’s not at all gratuitous, it’s just a part of the world. I’ve got Volume 2 sitting on my shelf waiting to be read, and I haven’t been so anxious to get to a read, especially a comic, in a very long time! Loving it!

Also read but not reviewed:

download (3)The Blood of Olympus by Rick Riordan (4 out of 5, Read May 2014)

Bertram Cope’s Year by Henry Blake Fuller (5 out of 5, Read June 2014)

Where Things Come Back by John Corey Whaley (3 out of 5, Read June 2014)

Gathering Blue by Lois Lowry (4 out of 5, Read June 2014)

The Dog Star by Donald Windham (3 out of 5, Read June 2014)

Messenger by Lois Lowry (4 out of 5, Read June 2014)

The Madness of Lady Bright by Lanford Wilson (4 out of 5, Read July 2014)

Son by Lois Lowry (3 out of 5, Read July 2014)

download (4)The Boys in the Band by Mart Crowley (3 out of 5, Read July 2014)

Totempole by Sanford Friedman (5 out of 5, Read July 2014)

The Front Runner by Patricia Nell Warren (4 out of 5, Read July 2014)

The Normal Heart by Larry Kramer (5 out of 5, Read July 2014)

Lemon Sky by Lanford Wilson (4 out of 5, Read July 2014)

Invisible Life by E. Lynn Harris (2 out of 5, Read July 2014)

Letters to Montgomery Clift by Noel Alumit (5 out of 5, Read July 2014)

Sons of the Prophet by Stephen Karam (3 out of 5, Read August 2014)

51Be-zEhd7L._SY344_BO1,204,203,200_The Turn of the Screw by Henry James (4 out of 5, Read December 2014)

Let Us Now Praise Famous Men by James Agee (3 out of 5, Read December 2014)

Halfway Home by Paul Monette (4 out of 5, Read December 2014)

Revival by Stephen King (4 out of 5, Read December 2014)

Red Caps: New Fairy Tales for Out of the Ordinary Readers by Steve Berman (3 out of 5, Read January 2015)

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2015 TBR Pile Challenge, Classics, Drama, Feminism, Giveaway, Giveaway Hop, Giveaways, Monthly Review, Play, Susan Glaspell

Thoughts: Trifles (1916) by Susan Glaspell

9780874406382Susan Glaspell’s Trifles (1916) is a one-act play that would ultimately inspire another of her works, a short story called “A Jury of Her Peers.” The story is loosely based on an actual event, the murder of John Hossack, which Glaspell reported on while working as a journalist in Des Moines, Iowa. Hossack’s wife was accused of killing her husband, but the wife denied it. Although she was convicted, that conviction was eventually appealed and overturned.

Glaspell is an essential early feminist writer, one who was directly influenced by the likes of Kate Chopin and Fanny Fern; alas, she is often overlooked in feminist literary studies. For those unfamiliar with Glaspell, this short one-act play (my copy was only 26 pages) is a great place to start. The play is funny but poignant. It is a brief, direct example of Glaspell’s primary concerns – the inequalities between women and men, and the culture’s preoccupation with gender roles (stereotypes). It is ultimately a harsh exposé on the patriarchy’s oppressive control over women’s lives.

As its title suggests, the “trifles” of this play are “women concerns,” which men look at as relatively nothing in comparison to “real” (that is male) problems. Glaspell’s approach, however, which sets-up two distinct narrative points of view, one female and one male, creates an interesting and often comic tension between the main characters – the men and their wives. The house which serves as the play’s setting functions as both a crime scene but also as a home, and the characters, depending on their sex and their “purpose” or “role,” will view the house as one or the other of these things (the men treat it as merely a crime scene, the women cannot detach the house from its function as the home of their friend and neighbor who has been accused of murder).

51aea1cdd79ba.preview-620What is most interesting about this play is how much of a wallop it really packs. It is deceptively simple, not just because it is short, but the language, scenery, dialogue, stage direction – everything about the play is designed to be easy. Everything, that is, except for its subject matter. A reader (or audience member) could easily lose herself in the comedy of the situation, in the banter between husbands and wives, or in the knowing looks passed between the ladies, but the reality of the play, the feminist charges being raised and the dark, despondent yet somehow liberating mood created by the plight of the play’s absent Mrs. Wright (pun intended?) creates a rich paradox impossible to ignore.

The final moral crisis, which the women must face together and alone, reveals much about the meaning of justice and the role of women in seeking or fulfilling that justice. Although it is the men who “own” the law (quite literally, as the two male characters represent the police force and the county law offices), it is the women who will determine Mrs. Wright’s fate.

Notable Quotes:

“I didn’t know as what his wife wanted made much difference to John.”

“Women are used to worrying over trifles.”

“She used to wear pretty clothes and be lively, when she was Minnie Foster, one of the town girls singing in the choir. But that–oh, that was thirty years ago.”

“I know how things can be–for women. I tell you, it’s queer . . . we live close together and we live far apart. We all go through the same things–it’s all just a different kind of the same thing.”

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E.J. Runyon, Giveaway, Giveaway Hop, Giveaways, Monthly Review

Special Interview with Author E.J. Runyon!

tumblr_nbzwmpaDri1tfrr3qo1_400Hello, Readers!

Today I have a special treat for everyone. In 2013, I received for review a book called Claiming One. It is a short story collection by then newly-published author, E.J. Runyon. I enjoyed that collection so much, in fact it was one of my favorite reads of the year.

Well, I’m thrilled to say that E.J. Runyon is back, this time with her first novel! The early reviews for A House of Light and Stone are outstanding. I was so excited about the prospect of a new book from E.J. Runyon that I reached out to the publisher to see if there was any way that I could be involved. To my delight, they (and E.J. herself) responded in the positive – so I am able to bring you today this special Q & A with Ms. Runyon!

I hope you enjoy the interview, and I hope you’ll enjoy the works of this talented author as much as I have!

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Thanks for having me here, Adam. It’s lovely to have the support of someone I like following.

E.J., tell us about your new novel?

This one is a Literary Fiction effort; I hope it continues to go over well. It’s set in 1967, East L. A. and follows Duffy and her family. True lives, the hard truths, shown in a mixture of small, daily cheer and that one step forward, one step back dynamic. It’s about the strangeness of being genuine to ourselves. Both Duffy and her mother fall in love with females. For Duffy it’s a calm, new part of her growing-up. For her mother, Rennie, love takes a different shape. And though all this year, they both progress into a new understanding of self and place in the world they’re confronted with.

How does it feel to have a debut novel under your belt?

Oh, I think I’m dealing well with it. (chuckle) I spent a long time with the idea that the slow and patient application of ‘you’ve got to make this better’ may have given me something I can honesty say shines. A few places touched me deeply, and I wrote it. It’s gotten reviews that echo that, too. And that helps the strangeness of being a published author of something larger than short stories. You know I try for depth and poetry in what I write. So for my ‘first’ I think I earned the way I feel reading reviews. Strange, but still—joy.

Anything you’re very proud about with this work?

One reader’s said that they ‘… feel this book is a great example of literary fiction, using the term in the most flattering possible way’ That makes me proud, very proud. And one reviewer wrote up a very nice online review that just detailed exactly what I had tried for the book to be to readers. So seeing it all laid out in a considered and eloquent review was so proud-making, I was smiling for most of that week, walking around with that, “They like it!”, grin on your face.

Why’d you decide not to go genre, like so many writers these days?

I think there’s the need for this type of Literary Fiction works as well as genre works in today’s markets. I feel it’s a valid goal now, for authors to write as we see the world, and not only for what some powers that be tell us the market will sell. You can see that in the rise of the Indy publishing marvel. More writers are willing to write exactly what they feel is worthy of their talents. And for me that’s Literary Fiction.

What’s up next?

I want to continue being an author who ‘goes there’ in my work. An interview recently in The Rumpus, with Wendy C Ortiz, put it as, “discussing subjects we have long discarded as unspeakable.” That what’s next: more of the unspeakable that lies in the hearts and souls of all my other characters.

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More About the Book:

Giving a voice to the silent. A House of Light and Stone is the first full-length novel from writer E. J. Runyon, which follows the daily struggles of an abused young girl as she takes her first tentative steps into growing up. Secrets and lies abound in the backstreets of late-sixties Los Angeles, and coming of age here is no mean feat. For Duffy, whose talent and creativity far exceed her years, growing up is about making immutable choices and learning one simple lesson: that understanding oneself is absolutely everything. In charting Duffy’s quest, Runyon illuminates the dark corners, shedding credible light on a subject that could easily slip into the realms of melodrama. The result is something believable and profound; a true testament to the strength of the human spirit.

No light read. Powerful, dark and uplifting… Three words that capture the essence of Runyon’s deeply moving

More About the Author:

downloadE.J. Runyon lives in the US Southwest. Since 2002 she’s found herself moving on to smaller and smaller desert towns, while working to become the author and writing coach she planned to be. First, she quit working in software and sold her home to finance her degree in Creative Writing and her Grad-work in Online Teaching and Learning. She’s never looked back since. Now, her life revolves around her own writing and Bridge to Story – an online creativity coaching business that she runs– and you know, being a better person day to day. E.J.’s passion is focused on writing fine prose and on getting folks writing, her aim is coaching them in writing well. She participates yearly in National Novel Writing Month – an event she’s been involved in since 2001. Her first collection of short stories, Claiming One was published by Inspired Quill in 2012, which was followed in 2013 by Tell Me How to Write a Story, a guide for writers new and old alike.

Website: www.bridgetostory.com

Blog: http://www.ej-runyon.com/

Twitter: @EJRunyon

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Blog Post, Giveaway, Giveaway Hop, Giveaways, Monthly Review, Year In Review

2014 End of the Year Book Survey

inde3xWelcome to my Big Book Survey for 2014!

Number Of Books You Read: 82 (goal of 60)
Number of Re-Reads: 2 (The Giver & The Canterbury Tales)
Genre You Read Most: LGBT/Criticism/History

Best Book You Read In 2014?

Better Angel by Forman Brown; Mrs. Dalloway by Virginia Woolf; Eminent Outlaws by Christopher Bram; The Book Thief by Markus Zusak….. so many.

Book You Were Excited About & Thought You Were Going To Love More But Didn’t?

Let Us Now Praise Famous Men by James Agee

Most surprising (in a good way or bad way) book you read in 2014? 

Life Studies by Robert Lowell – Incredible collection of poetry. I’m not a poetry person, but this was stunning.

Book You “Pushed” The Most People To Read (And They Did) In 2014?

Ulysses by James Joyce (because I hosted a read-along for it).

Best series you started in 2014? Best Sequel of 2014? Best Series Ender of 2014?

The Giver Quartet by Lois Lowry, The Heroes of Olympus by Rick Riordan, and The Magicians by Lev Grossman

Favorite new author you discovered in 2014?

Andre Aciman, David Leavitt, and A.S. King

Best book from a genre you don’t typically read/was out of your comfort zone?

The Canterbury Tales by Geoffrey Chaucer (original Middle English)

Most action-packed/thrilling/unputdownable book of the year?

 The Blood of Olympus by Rick Riordan

Book You Read In 2014 That You Are Most Likely To Re-Read Next Year?

 Better Angel by Forman Brown

Favorite cover of a book you read in 2014?

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Most memorable character of 2014?

Beloved from Beloved by Toni Morrison or Leopold Bloom from Ulysses by James Joyce.

Most beautifully written book read in 2014?

 The Hours by Michael Cunningham

Most Thought-Provoking/ Life-Changing Book of 2014?

This is Water by David Foster Wallace

Book you can’t believe you waited UNTIL 2014 to finally read? 

The Stand by Stephen King

Favorite Passage/Quote From A Book You Read In 2014?

“The really important kind of freedom involves attention, and awareness, and discipline, and effort, and being able truly to care about other people and to sacrifice for them, over and over, in myriad petty little unsexy ways, every day.” –David Foster Wallace (This is Water)

Shortest & Longest Book You Read In 2013?

Shortest: He Cried: Poems and Stories by Dennis Cooper (32 pages)

Longest: The Stand by Stephen King (1,153 pages)

Book That Shocked You The Most

Totempole by Sanford Friedman. It’s a gay coming-of-age story published (barely) in 1965. Incredible depth, roundedness, and honesty for such a “subversive” work in such an uptight time.

OTP OF THE YEAR (you will go down with this ship!)

Kurt and David from Better Angel. Beautiful.

Favorite Non-Romantic Relationship Of The Year

Finn and Cade in 100 Sideways Miles by Andrew Smith

Favorite Book You Read in 2014 From An Author You’ve Read Previously

Eminent Outlaws by Christopher Bram or Mrs. Dalloway by Virginia Woolf. Or The Stand by Stephen King (lots of repeat authors, clearly!)

Best Book You Read In 2014 That You Read Based SOLELY On A Recommendation From Somebody Else/Peer Pressure:

Where Things Come Back by John Corey Whaley (and it was good!)

Newest fictional crush from a book you read in 2014?

Maybe Billy Sive from The Front Runner by Patricia Nell Warren?

Best 2014 debut you read?

I don’t think I read any 2014 debuts…

Best Worldbuilding/Most Vivid Setting You Read This Year?

The Stand by Stephen King or Beloved by Toni Morrison. Also, Other Voices, Other Rooms by Truman Capote and The Dog Star by Donald Windham

Book That Put A Smile On Your Face/Was The Most FUN To Read?

If This Isn’t Nice, What Is? By Kurt Vonnegut

Book That Made You Cry Or Nearly Cry in 2014?

The Book Thief by Markus Zusak

Hidden Gem Of The Year?

Life Studies by Robert Lowell and Better Angel by Forman Brown

Book That Crushed Your Soul?

Beloved by Toni Morrison, The Book Thief by Markus Zusak, and The Normal Heart by Larry Kramer.

Most Unique Book You Read In 2014?

Let Us Now Praise Famous Men by James Agee or Ulysses by James Joyce

Book That Made You The Most Mad (doesn’t necessarily mean you didn’t like it)?

An Intelligent Person’s Guide to Philosophy by Roger Scruton – This book was no guide. It was biased, bigoted, ideological, and patronizing. Such a waste of time.

New favorite book blog you discovered in 2014? 

Oops – none…. Haven’t had much time to explore! Any recommendations?

Favorite review that you wrote in 2014? 

On Grasshopper Jungle by Andrew Smith

Best discussion/non-review post you had on your blog?

J.K. Rowling Can Say What She Wants

Best event that you participated in (author signings, festivals, virtual events, memes, etc.)?

 Austen in August!

Best moment of bookish/blogging life in 2014?

5 Year Blog Anniversary & Ulysses Read-along

Most Popular Post This Year On Your Blog (whether it be by comments or views)?

Announcing the 2015 TBR Pile Challenge!

Post You Wished Got A Little More Love?

 Review: 100 Sideways Miles by Andrew Smith

Best bookish discover (book related sites, book stores, etc.)?

The Easton Press Leather Bound Editions – can’t afford ‘em, but definitely want!

Did you complete any reading challenges or goals that you had set for yourself at the beginning of this year?

I blew my Goodreads goal of 60 books out of the water, but I failed miserably at my 2014 TBR Pile Challenge.

One Book You Didn’t Get To In 2014 But Will Be Your Number 1 Priority in 2015?

The Return of Sherlock Holmes by Arthur Conan Doyle

Book You Are Most Anticipating For 2015 (non-debut)?

Studies in Classic American Literature by D.H. Lawrence

2015 Debut You Are Most Anticipating?

The Alex Crow by Andrew Smith (March – I think!)

Series Ending/A Sequel You Are Most Anticipating in 2015?

Well, this series isn’t ending (that I know of) but I’m looking forward to reading the second book in Cleo Coyle’s Coffee House Mystery series, Through the Grinder. I’m WAY behind in this series.

One Thing You Hope To Accomplish Or Do In Your Reading/Blogging Life In 2015?

I hope to be able to find time to actually blog/review again.

A 2015 Release You’ve Already Read & Recommend To Everyone:

Hmmm…. Don’t think I’ve gotten any 2015 releases!

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Fantasy, Giveaway, Giveaway Hop, Giveaways, interview, Monthly Review, T.A. Barron, Young Adult

Interview with Merlin Author T.A. Barron!

downloadAs a big fan of T.A. Barron’s Merlin Saga series, I’m excited to announce the paperback release of Atlantis Rising, the first book in an exciting fantasy new series!  I’m even more exciting to bring you all this interview with the author.  Enjoy!

From the publisher: “With his trademark magic and adventure, T.A. Barron, international best-selling author of The Merlin Saga, has returned with a whole new mythology – the origin of the legendary isle of Atlantis.  Atlantis Rising is the first book in an exciting new trilogy that explores not how Atlantis was destroyed, but how it was born.”


Q&A with T. A. Barron on Atlantis Rising

What fascinates you most about the legend of Atlantis?

No word evokes more of a feeling of tragedy than the word Atlantis. It stands for almost, what might have been. The tale of Atlantis is such a beautiful story, and for the 2000 years since Plato first wrote about it, people have wondered and dreamed about it. But one thing that has never changed is that the island of Atlantis was utterly destroyed.  I started to wonder, though, about something else—how Atlantis began.  How did a place that rose to such a level of near perfection get destroyed by the flaws and weaknesses of its people? Ultimately, how did that happen? This big unknown question is what got me to write Atlantis Rising. I wanted to add a new thread to the tapestry of myth about Atlantis—how it all began, the secrets of its origins.

Why do you choose to write about origins of stories?

When you write about the origins of a great legend, you experience the best of two worlds. You get to tap into a wondrous emotional and mythical journey that people have celebrated and enjoyed for a long time—which is why stories persist, why people keep telling the tales about Merlin or Atlantis. At the same time though, you get the opportunity to be fresh and original. You can explore and go behind the myth to discover how and where it all began. It just might start with the most inconsequential event—a boy stealing a pie, a girl discovering something strange in the woods, or a young man washing ashore. In those small moments you may discover the beginning of an amazing adventure!

What research was involved in preparing for Atlantis Rising

Before starting this project, I read everything I possibly could about Atlantis. As I got deeper into the research, I realized not only is there an immense story of high ideals and tragic consequences, human aspirations and failures, but a wonderful mystery of how it all began. That powered me even more to want to set forth the beginning, the origins of that magical place.  In addition, I have often thought about Atlantis since visiting Greece 20 years ago—the place where the legend began.  Often, I’ve recalled the sight of that landscape, the sound of waves on those islands, and the smell of the Mediterranean air. All that will, I hope, come through for anyone who reads the Atlantis trilogy.

In the last few scenes of Atlantis Rising, we see Atlantis become an island at last, while Promi returns to the spirit world. Where does the second book start?

The second book picks up immediately after Atlantis Rising finishes.  But time works differently between Earth and the spirit realm. Quite a bit more could have happened up in the spirit realm than has happened on Atlantis.  You see, during that brief interval—which feels just like a few days on Earth—many perils have risen. Some of them are dangers that come from old enemies—enemies who want to control all the magic and power of the Earth. And some of the perils come from romance…and we all know how tricky that can be.

In Atlantis Rising, Promi, the protagonist, risks his life for Smackberry pie. What dessert would you risk everything for?

Fresh Colorado snow-covered in maple syrup.


Thanks, T.A. Barron, for stopping by to share your thoughts – and thanks to the publisher for orchestrating this opportunity.  Whether you’re a fan of Barron or new to him, I hope you’ve enjoyed his thoughts and I invite (encourage!) you to check out his books – they’re great fun!

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Blog Post, Monthly Review

Some Updates And Stuff

Books Read Since May 25:

Imre: A Memorandum by Edward Prime-Stevenson (4 of 5)

If you’re interested in the history of LGBT literature, this is a must. It was published in 1906 and it’s perhaps the first example of gay literature with a happy ending. Pretty fantastic book, and completely under-appreciated. I’m currently reading LGBT history of the 20th century in chronological order (not all of it OBVIOUSLY, but a fair amount. I’ll try to post something about this project sometime in the near future – so if you’re interested, stay tuned).

Allegiant by Veronica Roth (3 of 5)

I thought this final installment in the trilogy was alright. It was a bit derivative (meaning, clearly and directly informed by other sci-fi/fantasy stories) and also a little over-the-top with the romantic scenes. But, entertaining, easy to read, well-paced and fun nonetheless.

Insurgent by Veronica Roth (4 of 5)

My personal favorite of the Divergent series. Fun, interesting, compelling, with plenty of room for growth. A definite page-turner.

Reality Boy by A.S. King (4 of 5)

This book was really cool. I agree with King on so many levels. What we’ve done to people who participate in reality television, but especially children, is tragic. We really need to evaluate ourselves and our society to determine what’s actually important and to ask why we’re wasting our time on such trashy things.

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