Name: William S. Burroughs
Born: February 5, 1914 (St. Louis, Missouri)
Died: August 2, 1997 (Lawrence, Kansas)
Seminal Work: Naked Lunch (1959)
Relationship to The Beat Generation:
William S. Burroughs is often called the founder of The Beat Generation and the godfather of punk (music). Although he was older, at the time, than most of the Beat writers, he was involved in their movement and was an inspiration to and role model, of sorts, for them. Burroughs was a drug addict for much of his adult life and his addiction inspired him to write books such as Naked Lunch, Junky (1953), and his Nova Trilogy [The Soft Machine (1961), The Ticket that Exploded (1962), and Nova Express (1964)]. He was known for always carrying a gun, even in bed, and for using a walking cane which had a sword inside of it.
Importance to Literary History:
The Nova Trilogy, mentioned above, as well as some of his other works, were crafted using Burroughs’s now-signature “Cut-up” technique. This is a type of narrative form which Burroughs created and which has since enjoyed a movement of its own. This aleatory technique comes about when the writer writes a text (or texts), then “cuts-up” the original and rearranges it, creating a new text with the same content. The technique was inspired by Brion Gysin, a painter-friend whom Burroughs visited in Paris in 1959. Gysin used the cut-up technique on his paintings and Burroughs noticed that it was quite similar to what he had done (juxtaposition technique) in Naked Lunch, but even more radical. His employment of the cut-up technique in literary form, coupled with his belief that was groundbreaking and innovative, and it has inspired the style of many postmodern writers.
William S. Burroughs on his cut-up technique:
“A page of text-my own or some one else’s-is folded down the middle and placed on another page- The composite text is then read across half one text and half the other-The fold in method extends to writing the flash back used in films, enabling the writer to move backwards and forwards on his time track-For example I take page one and fold it into page one hundred-I insert the resulting composite as page ten-When the reader reads page ten he is flashing forwards in time to page one hundred and back in time to page one-The déjà vu phenomena can so be produced to order-(This method is of course used in music where we are continually moved backwards and forward on the time track by repetition and rearrangement of musical themes-In using the fold in method I edit delete and rearrange as in any other method of composition-I have frequently had the experience of writing some pages of straight narrative text which were then folded in with other pages and found that the fold ins were clearer and more comprehensible than the original texts-Perfectly clear narrative prose can be produced using the fold in method-Best results are usually obtained by placing pages dealing with similar subjects in juxtaposition.”
Biographical Information & Fun Facts:
“Love? What is it? Most natural painkiller what there is. Love.” (These are the last lines from the last entry in William S. Burroughs’s personal journal).
“Your mind will answer most questions if you learn to relax and wait for the answer.”
“After one look at this planet any visitor from outer space would say, ‘I want to see the manager.’”
“Artists to my mind are the real architects of change, and not the political legislators who implement change after the fact.”
“Language is a virus from outer space.”
“In my writing, I am acting as a map-maker, an explorer of psychic areas, a cosmonaut of inner space, and I see no point in exploring areas that have already been thoroughly surveyed.”
“I am getting so far out one day I won’t come back at all.”
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