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Adam Burgess
I first started coming out to people when I was sixteen. It began with a friend who, as it turns out, didn’t deserve to be told first, but who was nevertheless mostly supportive in the beginning. A few months after telling a second friend,… Continue Reading “The Note I Never Wrote”
Last month, I introduced a five-part project exploring Oscar Wilde’s masterpiece, The Picture of Dorian Gray, as viewed through various critical lenses. I began in Part 1 with Formalism. This week, I take a very brief look at the novel from a Feminist perspective… Continue Reading “Dorian Gray, In Theory (Part 5)”
Last month, I introduced a five-part project exploring Oscar Wilde’s masterpiece, The Picture of Dorian Gray, as viewed through various critical lenses. I began in Part 1 with Formalism. This week, I take a very brief look at the novel from a Marxist perspective.… Continue Reading “Dorian Gray, In Theory (Part 4)”
Two weeks ago, I introduced a five-part project exploring Oscar Wilde’s masterpiece, The Picture of Dorian Gray, as viewed through various critical lenses. I began in Part 1 with Formalism and then considered the opposite perspective, Reader-Response theory. This week, I return to a… Continue Reading “Dorian Gray, In Theory (Part 3)”
Last Wednesday, I introduced a five-part project exploring Oscar Wilde’s masterpiece, The Picture of Dorian Gray, as viewed through various critical lenses. I began in Part 1 with Formalism. A polar argument for dissecting Oscar Wilde’s Dorian Gray is to switch focus from Wilde’s… Continue Reading “Dorian Gray, In Theory (Part 2)”
Roof Beam Reader 