Shadow of the Hegemon by Orson Scott Card
This edition of the novel is littered with surface errors; however, the story itself is quite interesting. While it can’t stand on its own, as Ender’s Shadow or Ender’s Game certainly can, it is an intriguing “next step” in the Bean series, and it definitely leaves me wanting to continue on to the next book: Shadow Puppets. Orson Scott Card is a genius at merging creative imaginings of the future with historical and contemporary political and military fact. Seems almost effortless.
Guide by Dennis Cooper
Beautiful, bold, and brilliant. A lot of Cooper’s unique and trademark style has been carried over into Guide but with some innovation. For instance, Guide is much more personal, it seems. This episode of the George Miles series is, in my opinion, the best because it brings together the three previous novels and begins to explain who George Miles was to Dennis, why he is so important – how he changed Dennis forever. The novel somehow manages to be touching, heart-breaking, and disgusting all at once. Superb and unexpected.
Lost in the Funhouse by John Barth
Brilliant! Absolutely unpredictable. Sad, too – the novel speaks of the end of itself, that is, the novel. Written in an age where novelists truly feared new media (cinema, theater, etc.). Barth’s literary and composition skills are beyond compare. Highly recommended for any lover/scholar of literature and/or creative writing.
For the ink-hearted
an exposition of micro and punk poetry
Dedicated to Emerging Writers
quotes, excerpts and reviews
You don’t start out writing good stuff. You start out writing crap and thinking it’s good stuff, and then gradually you get better at it. That’s why I say one of the most valuable traits is persistence. Octavia E. Butler
My life as a black, disabled teenager
A bookish blog (mostly) about women writers of the nineteenth and twentieth centuries
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