Adam Burgess
Andrew Smith is a mad scientist. I imagine him, even now, sitting in his writing laboratory playing with every imaginable ingredient and coming up with another brilliant concoction of literary gold. This might sound like the delusions of a raving fanatic or a particularly creative reviewing mind, but considering Smith’s books continue to win universal praise and, more recently, critical notice and awards, perhaps it’s not so far from the truth after all.
100 Sideways Miles is another example of how brilliantly Andrew Smith can craft a totally readable, totally relatable, completely unique story. The main character, Finn, has been immortalized by his own father, a writer who has created a duplicate “Finn” in his fiction. The science-fictional Finn created by his father, and our fictional Finn (how meta!) are more than a little bit similar. They even share the same scars, the “real” Finn having earned his in a twist-of-fate accident involving a horse that falls from the sky onto Finn and his mother. The accident has lasting impact on Finn’s family, and in the way Finn sees the world (he begins to measure time in distance, for example).
In addition to Finn, who’s still a virgin in his late teens (the horror!), we meet Cade, the ridiculously-obnoxious-but-in-a-totally-loveable-way, Cade. He’s a bit of a big brother to Finn. Every day, he comes up with a new sexually-charged descriptor to attach to the shape of Finn’s scars, which might seem insensitive but is actually his way of helping Finn relax and feel less self-conscious about his body.
Aside from the two high school boys, there is, of course, a girl or two. Including “the girl,” Julia. Finn and Julia become star-crossed lovers; Finn, the epileptic local boy and Julia, the mysterious bombshell from 2,000 miles away (Chicago) who shows up in their small California town, without warning or explanation. The two quickly, and awkwardly, form an intense bond, one which will be tested when Julia returns to Chicago. Fortunately, Finn, Cade, and a road trip to end all road trips will return balance to the universe.
100 Sideways Miles is filled with humor, angst, confusion, sarcasm, and the typical teenagers’ point of view. This means the guys encounter situations involving drugs, alcohol, sex, and “foul” language. There’s also a “damn the man” attitude expected in any coming-of-age story (what are we if we don’t rebel against the last generation, at least a little?). All of this is treated realistically, though, without being gratuitous – it makes sense to the story being told and the lives these boys are living. And when you meet Finn, you’ll understand if he needs to curse once in a while.
Smith without a doubt knows how to spin a yarn. He gets into the minds of young people and shares their experiences, in their vernacular and on their own terms. He’s done this with Stick and Grasshopper Jungle. He’s done this in Winger and with In the Path of Falling Objects. He does it in Ghost Medicine and The Marbury Lens. And yet, he does it, somehow, in a completely innovative way, every time.
So, yes, Smith is a mad scientist. He is the Victor Frankenstein of contemporary young adult fiction, and we readers have become his insatiable monsters. Is the world finally ready for Andrew Smith? No matter. He hasn’t just arrived, he’s become ubiquitous. Ready or not.
If you’re interested in hearing more about 100 Sideways Miles and/or Andrew Smith, check out the book tour hosted by Amy of Lady Reader’s Stuff!
Great review! I definitely want to read this one.
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I’m speechless. This is absolutely stellar. Thank you so much, Adam. You totally rock. x
A
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