Back to the Classics 2013

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This is the second of two year-long challenges that I’ll be participating in during 2013 (the other being my own 2013 TBR Pile Challenge).  I’m taking part in this one because 1) Sarah is awesome; 2) The challenge has some great twists, including selecting books based on categories within the massive “Classics” canon; and 3) it will help me make progress toward completion of my Classics Club list.
 
 
THE CATEGORIES:
 
The Required Categories:
  1. A 19th Century Classic: The Memoirs of Sherlock Holmes by Sir Arthur Conan Doyle
  2. A 20th Century Classic: Orlando by Virginia Woolf
  3. A Pre-18th or 18th Century Classic: Emma by Jane Austen
  4. A Classic that relates to the African-American Experience: Beloved by Toni Morrison
  5. A Classic Adventure: Don Quixote by Miguel de Cervantes Saavedra
  6. A Classic that prominently features an Animal: Henderson the Rain King by Saul Bellow

Optional Categories:

  1.    Re-read a Classic: Animal Farm by George Orwell
  2.    A Russian Classic: The Brothers Karamazov by Fyodor Dostoevsky
  3.    A Classic Non-Fiction title: A Brief History of Time by Stephen Hawking
  4.    A Classic Children’s/Young Adult title: The Princess Bride by William Goldman
  5.    Classic Short Stories: Welcome to the Monkey House by Kurt Vonnegut
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Thoughts: The Memoirs of Sherlock Holmes by Arthur Conan Doyle

1065804The Memoirs of Sherlock Holmes by Sir Arthur Conan Doyle
Final Verdict: 3.75 out of 4.0
YTD: 55

The Memoirs of Sherlock Holmes is the third in the Sherlock Holmes series, following two novels (A Study in Scarlet and The Sign of Four) and a collection of short stories (The Adventures of Sherlock Holmes). It contains eleven stories, in total, which, much like the previous titles in this series, tackle a range of social, political, and ethnic topics, all the while entertaining the reader with witty narrative and engaging, sometimes surprising mysteries and detective work.

My edition is, unfortunately, true to the revised original American edition of the collection, which edited out a story called “The Adventure of the Cardboard Box.” The story is now printed in American editions of the collection titled “His Last Bow,” which I do have, so I’ll get to it eventually. Of course, I’m a purist, though, so it irks me very much to have to read stories out of the order of original publication or author intention.

That being said, the collection is a good one. I particularly enjoyed “The Yellow Face,” which was a story of ahead of its time, in my opinion. This one tells of a young American woman who meets a young British man, they marry and move to England together. Soon enough, the woman’s secret history is uncovered, and the revelations are (for the time) shocking. As a modern reader, however, there is a certain delight and admiration for the risk Doyle took, here, and for the stance that the narrative takes on issues of equality and human decency. It was a pleasant surprise.

Others in the collection which I rather enjoyed include “The Gloria Scott” and “The Musgrave Ritual,” both of which had interesting elements of darker, Poe-esque mystery; also, “The Reigate Puzzle” and “The Naval Treaty,” both of which had elements of heightened daring, danger, and suspense. Finally, of course, there is “The Final Problem,” which is not only a wonderful short story, but, knowing the history of the series, a moving read. It adds a very deep, personal element to the character of Sherlock Holmes, a human side which his character sometimes (intentionally) lacks. Even knowing that the series continues, it was a difficult read and a sad ending!

All this taken into consideration, I still prefer, over all, the first collection in the Holmes series. I was bothered by the very close similarity of “The Stock-broker’s Clerk” to an earlier Sherlock Holmes story (“The Red-headed League”). The two stories seemed like the reworking of a very similar plot. Of course, Doyle wrote from a standardized formula of sorts, but even still, it felt to me much too similar, in this case. Perhaps to Doyle, too, considering where he tried to go with “The Final Problem.”

The Memoirs of Sherlock Holmes collection is an interesting piece to the overall Holmes collection. As in the previous works, this one is narrated by Watson, but many of the stories find Watson specifically trying to point out just how unremarkable Sherlock Holmes is – how lucky he sometimes gets, how even he can be stumped, at times. The purpose of this is probably two-fold; first, to set up readers’ expectations for the last story in the collection and second, to round out and make more realistic the Sherlock Holmes character in general. Perhaps there had been some instance that Doyle make Sherlock Holmes seem less of a superhero – how interesting can a character with no flaws be, after all?

Ultimately, I continue to be pleased with these stories and every time I revisit the next book in the collection, I find myself wondering what took me so long to get back to it. These are always some of the most fun, entertaining, and engaging reading experiences, and it rarely takes me more than a few days to get through the entire book. Doyle’s writing, in Memoirs, remains fresh and accessible, and he continues to push certain boundaries, which adds depth and intrigue to books which might otherwise be simply light, “pleasure” reading.

One final note: I may or may not have known this (though I certainly didn’t remember), but the title from another favorite book of mine, by Mark Haddon, actually seems to have come from one of these stories! In “The Silver Blaze,” Colonel Ross asks Sherlock Holmes, “Is there any point to which you would wish to draw my attention?” and Holmes replies: “To the curious incident of the dog in the night-time.” Wow!

Suggested Reading for:
Age Level: 13+
Interest: Mystery, Detective Stories, 19th Century Britain, Social Justice, Crime, British Fiction, Short Stories, 1,001 Books.

Notable Quotes:

“Of all ghosts, the ghosts of our old loves are the worst.” (“The Gloria Scott”)

“Any truth is better than indefinite doubt.” (“The Yellow Face”)

“It has long been an axiom of mine that the little things are infinitely the most important.” (“A Case of Identity”)

“It is stupidity rather than courage to refuse to recognize danger when it is close upon you.” (“The Final Problem”)

“I never can resist a touch of the dramatic.” (“The Naval Treaty”)

“It’s every man’s business to see justice done.” (“The Crooked Man”)

TBR Pile Checkpoint #10 – October Progress!

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Congrats to last month’s winner, Sarah of The Everyday Reader!

Hi, There, TBR Pile Challengers! And Welcome to Another Checkpoint!

It is October 15th, which means we are now officially in the final quarter our 2013 TBR Pile Challenge! I continue to be impressed and excited by the participation in this challenge – it’s enough to make me want to bring it back again in 2014!

Where I’m At: I have read 11 of my required 12 books – almost done! This might be the first year in the last couple where I manage to complete all 12 books on my list AND possibly the alternates, too. I keep getting distracted by some fabulous new releases (such as the Salinger biography that I just read/reviewed, as well as the new Rick Riordan and Stephen King books), so I don’t know if I’ll get to all 14 books on my list, but I will definitely read the main goal of 12!

My Progress:

Book #1: O Pioneers! by Willa Cather

Book #2: The Alchemyst by Michael Scott

Book #3: Orlando by Virginia Woolf

Book #4: The Gunslinger by Stephen King

Book #5: The End of the Affair by Graham Greene

Book #6: Sodom on the Thames: Sex, Love, and Scandal in Wilde Times by Morris Kaplan

Book #7: A Streetcar Named Desire by Tennessee Williams

Book #8: Shine by Lauren Myracle

Book #9: Gods and Monsters by Christopher Bram

Book #10: Persuasion by Jane Austen

Book #11: The Memoirs of Sherlock Holmes by Sir Arthur Conan Doyle (review to come)

Below, you’re going to find the infamous Mr. Linky widget. IF you have completed any reviews for books on your challenge list, please feel free to link them up here so that we can easily find your posts, encourage one another, see what progress is being made on all these piles, etc.  Also, feel free to link-up to your own checkpoint post, should you decide to write one (not required – but feel free!).

Giveaway:  This month’s challenge once again comes with a giveaway!  You can win any book of your choice, up to $20 USD, as long as it is available at The Book Depository (and as long as TBD ships to your location).

To be eligible, you need to do these things:

1. Use the Mister Linky widget below to link-up an eligible review post for this month OR a link to a check-in post for this month.  Each eligible review = one entry.

2. Leave a comment sharing with us which book from your 2013 TBR Pile list has been your favorite, so far (or your least favorite, most surprising, etc.).  Plus anything else you want to share.  =-)

3. Make sure I can reach you by email – so if your email isn’t posted in an obvious place on your blog, then leave it in the comment, here (in a non-spamable format!).

Good luck!


Link-up Your Reviews for September 21st – October 20th:


TBR Pile Checkpoint #9 – September Progress!

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Congrats to last month’s winner, Karen from Karen’s Books & Chocolate!

Hi, There, TBR Pile Challengers!  And Welcome to Another Checkpoint!

It is September 15th, which means we are now officially in the final quarter our 2013 TBR Pile Challenge! So far, the overall progress and participation in this year’s challenge has been outstanding! I have been impressed by you guys – some of you are even finished, already!

Where I’m At: I have read 10 of my required 12 books – so I’m feeling good! This might be the first year in the last few where I manage to complete all 12 books on my list (although I have some hefty books left to read, so I’m not going to get ahead of myself, here). I keep getting distracted by some fabulous new releases (such as the Salinger biography that I’m currently reading), so I don’t know if I’ll get to all 14 books on my list, but I will definitely read the main goal of 12!

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My Progress:

Book #1: O Pioneers! by Willa Cather

Book #2: The Alchemyst by Michael Scott

Book #3: Orlando by Virginia Woolf

Book #4: The Gunslinger by Stephen King

Book #5: The End of the Affair by Graham Greene

Book #6: Sodom on the Thames: Sex, Love, and Scandal in Wilde Times by Morris Kaplan

Book #7: A Streetcar Named Desire by Tennessee Williams

Book #8: Shine by Lauren Myracle

Book #9: Gods and Monsters by Christopher Bram

Book #10: Persuasion by Jane Austen

Below, you’re going to find the infamous Mr. Linky widget. IF you have completed any reviews for books on your challenge list, please feel free to link them up here so that we can easily find your posts, encourage one another, see what progress is being made on all these piles, etc.  Also, feel free to link-up to your own checkpoint post, should you decide to write one (not required – but feel free!)

GIVEAWAY: This giveaway is closed. Congrats to Sarah of The Every Day Reader, who chose to receive a copy of For Darkness Shows the Stars by Diana Peterfreund!


Link-up Your Reviews for August 21st – September 20th:

TBR Pile Checkpoint #8 – August Progress!

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Congrats to this month’s winner, Karen from Karen’s Books & Chocolate! 

Dearest TBR Pile Challengers – Welcome to Another Checkpoint!

It is August 15th, which means we have crossed the half-way point and are now officially on the downslope for our 2013 TBR Pile Challenge! So far, the overall progress and participation in this year’s challenge has been outstanding! I really have been impressed by you guys – even just reading one or two of your twelve, to this point, is great. Keep at it!

Where I’m At: I have now read 10 of my required 12 books – so I’m feeling pretty good! This might be the first year in the last few where I could manage to complete all 12 books + the 2 alternates on my list (although I have some hefty books left to read, so I’m not going to get ahead of myself, here).  I need to write my review for Persuasion, which is Book #10, but I do plan to do that, and post it, before the August 20th deadline.

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My Progress:

Book #1: O Pioneers! by Willa Cather

Book #2: The Alchemyst by Michael Scott

Book #3: Orlando by Virginia Woolf

Book #4: The Gunslinger by Stephen King

Book #5: The End of the Affair by Graham Greene

Book #6: Sodom on the Thames: Sex, Love, and Scandal in Wilde Times by Morris Kaplan

Book #7: A Streetcar Named Desire by Tennessee Williams

Book #8: Shine by Lauren Myracle

Book #9: Gods and Monsters by Christopher Bram

Book #10: Persuasion by Jane Austen

Below, you’re going to find the infamous Mr. Linky widget. IF you have completed any reviews for books on your challenge list, please feel free to link them up here so that we can easily find your posts, encourage one another, see what progress is being made on all these piles, etc. Also, feel free to link-up to your own checkpoint post, should you decide to write one (not required – but feel free!)

GIVEAWAY: This month’s check-in comes with a giveaway!  One winner will be chosen from those who link-up to their reviews of books completed between July 21st & August 20th.  Anyone who posts a check-in for this month and links-up by August 20th will also be included.  The prize is any book of winner’s choice, up to $20 USD, from The Book Depository!  Good Luck!


Link-up Your Reviews for July 21st – August 20th:

Thoughts: Don Quixote, Part Two by Miguel Cervantes

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The Ingenious Gentleman Don Quixote of La Mancha, Part Two

by Miguel de Cervantes Saavedra

Final Verdict: 3.75 out of 4.0

YTD: 40


The Second Part of Don Quixote was published in 1615, exactly ten years after the first. According to Cervantes’s dedication, it was written, “in order to purge the disgust and nausea caused by another Don Quixote who has been running about the world masquerading as the second part.” Indeed, ironically, after his first part in some ways posed the question of “honesty in fiction,” another writer (pseudonym Alonso Fernández de Avellaneda), without consent or collaboration, took it upon himself to write the sequel which was foreshadowed at the end of the original Part One.

Part Two begins again in La Mancha, where Don Quixote has been for some time. His friends and niece have tried to cure him of his obsession for knight errantry, but to no avail. Once again, he and Sancho Panza (who seems much wiser in this second part) leave La Mancha to wander Spain and seek adventures. Unlike the first part, though, which was primarily concerned either with the misadventures which Don Quixote brought upon himself or with the adventures of minor characters, relayed to Don Quixote and Sancho Panza at various times throughout (to bring in historical context and to add depth to the overall narrative), this second part adds two new antagonists, the Duke and Duchess, who are hell-bent on causing Don Quixote and Sancho Panza as much grief as possible, for their own amusement. Also, Don Quixote’s motivation changes somewhat, after Sancho Panza convinces him that his great love, Dulcinea del Toboso, has been transformed from the most beautiful flower of Spain into a poor, peasant girl, by an evil enchanter. Instead of scouring the globe trying to prove his love to the lady Dulcinea, Don Quixote is instead on a mission to disenchant her (which, thanks to the Duke and Duchess, will result in great grief and pain for poor Sancho). Sancho will eventually earn his governorship, though it turns out to be more trouble than it is worth, the great knight Don Quixote will be challenged, twice, and ultimately vanquished by the Knight of the White Moon, and Cervantes, in all his wisdom, will ensure that Don Quixote’s story will end on his terms (via the historian Cide Hamete Benengeli) this time.

As it turns out, the continuing adventures of Don Quixote (or Part Two) is a bit of meta-fiction, constantly interrupting itself to talk about its own story, mostly about Part One and the imposter who wrote the false sequel. Many of the characters in Part Two have read Part One and the unauthorized Part Two, so they have preconceived notions (some accurate, others not) about Don Quixote and his squire, Sancho. In addition to writing about his own writing and acknowledging the story as a story within this story, Cervantes also mentions a variety of other literary works, including plays and poetry, which help to place this particular text into a literary timeline (especially important, here, as Spain and Europe are in the midst of great intellectual changes, as mentioned in my discussion of Part One). While this allows for a conversation about literature itself, Part Two is also, in general, a deeper, more fully realized work. Unlike Part One, wherein the characters were primarily flat, Part Two sees a variety of characters with varied motivations – they engage one another in more realistic ways, although their motives are still generally suspect.

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Cervantes further builds on some of the concerns he laid out in Part One, including religious and social commentary. He is critical of Spain’s caste system and makes clear that is not one’s property or title that speaks to one’s worth, but one’s actions and beliefs. This point is elaborated on through the foul deeds of the Duke and Duchess, who, though members of the nobility, are downright nasty people. Furthermore, Cervantes makes a concerted effort to raise the wisdom of Sancho Panza (and also of his wife, Teresa) – education, goodness, and common sense are, for Cervantes, the markers of true character, wisdom and self-worth; obsessions over money, land, and practicality lead to pettiness and cruelty.

Although Don Quixote is generally published as one large work, it is clear that Part One and Part Two are indeed separate books, and not just because they were published a decade apart. Cervantes’s motivations and styles are strikingly different in the two books. Part One is largely parody, with plenty of social and historical commentary as well, but with much to be desired in terms of construction and complexity. Part Two adds, in my opinion, what Part One was missing. Although there is still a great deal of humor, it is not as slapstick or farcical as Part One (at least, not the majority of it). The work is more serious, more intentional, and well-realized. It certainly works as meta-fiction (though Cervantes’s anger at Avellaneda can sometimes overshadow the story) but also as a pioneering piece of literature caught in a time of great change and transition. It aptly pays tribute to the bygone era of romantic chivalry (the Renaissance) and meaningfully presages, perhaps unknowingly, the Enlightenment to come. The depth and complexity, and especially the character development, make Part Two quite superior to Part One. For more, see my thoughts on Part One.


Suggested Reading for:
Age Level: High School+
Interest: Spanish Literature, Classics, Parody, Comedy, Romance, Morality Novel, Meta-fiction, Sequels.


Notable Quotes:

Don_Quixote_6“I know very well what the temptations of the Devil are, and that one of his greatest is to put it into a man’s head that he can write and print a book, and gain both money and fame by it” (Prologue to Part Two, p. 468).

“It is not pleasant to go about with scruples on your conscience” (478).

“To have companions in your troubles generally helps to relieve them” (547).

“If the blind lead the blind, both will be in danger of falling into the ditch” (548).

“So, let’s consider now which is the madder, the man who’s mad because he can’t help it, or the man who’s mad by choice” (561).

“He who reads much and travels much, sees much and learns much” (635).

“The Devil must certainly be an honest fellow and a good Christian. For if he weren’t he wouldn’t swear by God and his conscience. So I suppose that there must be some good people even in Hell” (697).

“For the maddest thing a man can do in this life is to let himself die just like that, without anybody killing him, but just finished off by his own melancholy” (937).


Don Quixote is Book #12 completed for my Classics Club Challenge
Don Quixote is Book #3 completed for my Back to the Classics Challenge 2013 
Don Quixote is Book #124 completed for my 1,001 Books to Read Before You Die Challenge


Thoughts: Don Quixote, Part One by Miguel Cervantes

don-quixote 

The Ingenious Gentleman Don Quixote of La Mancha, Part One

by Miguel de Cervantes Saavedra

Final Verdict: 3.5 out of 4.0

YTD: 40


Don Quixote is considered by many to be the first example of the contemporary novel-as-we-know-it, though I believe this is much more applicable to “Part Two” than it is to “Part One.”  The story is set in the year 1614, shortly after publication of Part One (1605) and just before the publication of Part Two (1615).  In this hilarious adventure tale, Don Quixote, a self-proclaimed Knight Errant, with his faithful squire Sancho Panza, set out on a journey to restore chivalry to the world, with a goal of defending the helpless and destroying the wicked. The two foolish men wander throughout Spain and encounter all sorts of bizarre adventures, from giants mistaken as windmills to village taverns mistaken for castles.

Sancho Panza joins Don Quixote in these adventures because he believes that his squireship will bring him riches, or at least the governorship of an isle, as that is what Don Quixote tells him has happened in all the books of chivalry (which must mean it is true!).  As for Don Quixote, he claims to be on a quest to make himself worthy of the love of his lady, Dulcinea del Toboso, and he demands that all who would challenge him must proclaim to the world that Dulcinea del Toboso is the most beautiful, most wonderful woman in all of Spain.  Of course, Dulcinea del Toboso, like Sancho’s riches and Don Quixote’s texts, is just a fiction.

After numerous adventures, wherein Don Quixote repeatedly proves just how foolish (and dangerous) he is, he and Sancho eventually meet a woman who quickly comes to understand Don Quixote’s “affliction” and uses it to her advantage, pretending to be a royal woman in distress who needs the assistance of a noble knight. What is fascinating is how very sane and, indeed, brilliant Don Quixote can be when speaking about anything other than knighthood and romances.  It is only when he is invested in his chivalric adventures (which is most of the time) that he becomes, essentially, a madman. In the end, a priest and barber from La Mancha, who had disguised themselves in order to get in with Don Quixote’s company without raising suspicion, capture Don Quixote and convince him that he has been enchanted; in this way, they manage to bring him home, where they hope to cure his insanity and obsession with fictional tales of knight errantry.

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Don Quixote is a parody of the romances of the time.  The Renaissance (15th-16th centuries) which, in Spain, had immediately preceded Cervantes’ life and the creation of this novel, gave rise to new discussions about and interpretations of art, morality, identity, and humanism; however, the popular literature of Cervantes’s era continued to be rife with books of chivalry – melodramatic fantasies about the adventures of wandering knights who slay giants, rescue damsels in distress, and battle evil wizards and enchanters.  These were highly stylized tales with shallow characters who were playing out the rules of tired, dusty old dramas.  In those dramas, the main theme was chivalry: protecting the weak, lauding women, and celebrating brave knights who traveled the world in search of good deeds to be done.

The character Don Quixote is obsessed with these romances and these knights.  He truly believes himself to be one of the greatest of knights errant, who must live and die by the code set down in these fictional texts.  Through him, Cervantes is commenting on the ridiculousness (and tiredness) of these old ideas.  He desperately wanted to bring Spanish Literature into the new age (which, though Cervantes wouldn’t know it, yet, was anticipating the Enlightenment).  All is not a joke, however.  Cervantes was a soldier and he was deeply devoted to Spain.  The country was making great advances in technology and social enterprises, and it was earning a great deal of wealth from its American colonies.  Amidst all this change, Cervantes did believe that a code of values (like the ancient codes of chivalry) could be useful for a nation confused by war with England, militarily, and also with the Muslim religion.

One of the most ground-breaking elements of Don Quixote is its narration.  The book is narrated by the author, who is commenting on a “true history” as written by a fictive historian called Cide Hamete Benengeli, a Moor who originally chronicled the adventures of Don Quixote.  Cervantes as narrator charges himself with translating the original text; thus, he narrates most of the book in the third-person, but does sometimes enter into the thoughts of the characters or into first person, such as when he is commenting on the novel itself or the original manuscript (written by Benengeli).  There are three sections to Don Quixote, the first two being in “Part One” and the third being all of “Part Two.”  The first section is largely a parody of the contemporary romance tales and is likely what most people think of when they think about Don Quixote.  The second part, however, takes a narrative shift toward historical fiction.  It proceeds episodically, is not as comedic, and is pulled much more from Cervantes’s life experiences, via third-party tales (not just the narrator telling us what is happening with Don Quixote and Sancho Panza, but other characters talking to our main heroes about their own histories and adventures).  In these first two sections (or “Part One”) it is Cervantes as narrator who is reporting the entire story, in direct narrative style, but this is something which will change for “Part Two.”

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In addition to the interesting narrative choices (which become much more interesting and complex in “Part Two”) there are other major themes and motifs, such as: Morality (old ideas versus new ones); a comparison between Class and Worth (Cervantes’s claim being that one’s class does not necessarily speak to their personal worth – an extremely radical idea for the time); Romance (romantic love being of highest value); Honor (the idea of being personally honorable is lauded, whereas the idea of living up to a lofty, ancient code of honor seems to be mocked and leads to sometimes disastrous consequences); and Literature (there is a raging debate about the need for truthfulness and historical accuracy in fiction, and about how much of literature can/should be expected to be honest and how much of it pure imagination).

Some of the most interesting elements of Don Quixote, are those which are drawn from Cervantes’s own life.  His fears, his biases, and his own experiences very much contributed to the themes in the book, even giving him inspiration for the creation of it.  Mistrust for foreigners, for example, is a prevalent theme, as is the tension between the Moors and the Catholics.  Cervantes and his brother were captured by pirates and sold to the Moors (Muslims), after which they ended up in Algiers.  Cervantes tried to escape –three times- but could not get away until he was ransomed in 1580, after which he was able to return to Spain.  This experience, in addition to the defeat of the impenetrable Spanish Armada in 1588, by the English, are the backbone of the tale, and make up some of its intermediary tales, such as the tale of the captive (Chapter 34).  Many of the battles Cervantes engaged in when he was in the Spanish Army are recounted somewhat in this book, through other characters’ tales, which adds depth and autobiographical history to this fantasy tale.

Ultimately, Part One of Don Quixote is historical fiction disguised as literary parody.  It is great fun, for a while, but is, in my opinion, longer than necessary; one could get the point in half the time, though what Cervantes starts to work on in the second section of Part One is definitely a shift away from the pure farce and fantasy of the first section. Cervantes does explore some interesting notions, such as cross-dressing, self-worth, female independence, and the nature of love, all of which are looked at it relatively new ways. For its autobiographical exploration, its historical significance, and its narrative uniqueness, Don Quixote (Part One) is a valuable read, but it is Part Two, in my opinion, which really stands out and, perhaps, keeps Don Quixote in the canon of important classics.  Continue to my thoughts on Part Two.


Suggested Reading for:
Age Level: High School+
Interest:  Spanish Literature, Classics, Parody, Comedy, Romance, Morality Novel, Historical Novel.


Notable Quotes:

DonQuijoteDeLaMancha-767176“I am too spiritless and lazy by nature to go about looking for authors to say for me what I can say myself without them” (17).

“And so from little sleep and much reading, his brain dried up and he lost his wits.  He filled his mind with all that he read in them, with enchantments, quarrels, battles, challenges, wounds, wooing, loves, torments and other impossible nonsense; and so deeply did he steep his imagination in the belief that all the fanciful stuff he read was true, that to his mind no history in the world was more authentic” (32).

“I do not understand why, merely because she inspires love, a woman who is loved for her beauty is obliged to love the man who loves her” (108).

“I do swear, I tell you, that I will keep silent to the very last days of your honour’s life. And please God I may be free to speak to-morrow” (125).

“A knight errant who turns mad for a reason deserves neither merit nor thanks. The thing is to do it without cause” (203).

“They say we ought to love our Lord for Himself alone, without being moved to it by hope of glory or fear of punishment. Though, as for me, I’m inclined to love and serve Him for what He can do for me” (273).

“Love, I have heard it said, sometimes flies and sometimes walks. With one person it runs, with another creeps; some it cools and some it burns; some it wounds and others it kills; in a single instant it starts on the race of passion, and in the same instant concludes and ends it; in the morning it will besiege a fortress, and by evening it has subdued it, for there is no force that can resist it” (304).

“Women have naturally a readier wit for good or for evil than men, although it fails them when they set about deliberate reasoning” (308).


Don Quixote is Book #12 completed for my Classics Club Challenge

Don Quixote is Book #3 completed for my Back to the Classics Challenge 2013 

Don Quixote is Book #124 completed for my 1,001 Books to Read Before You Die Challenge